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Home of Michael Perry – Author, Humorist, Singer/Songwriter, Amateur Pig Farmer

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Posts Tagged ‘John & Julie’

Barry Lynn

I have mentioned Barry Lynn in my books and other writing often.  Perhaps you’d not think a fellow like this would be an inspiration to a clunky-footed knucklehead like me.  But he is.  Profoundly so.  Past his mid-90s now, and still performing new dances.  My friends John and Julie have been documenting Barry’s life for many years.  The clip below is from their film, One Million Years is Three Seconds.

The COOP Photos: Chapter 2

COOP Photo Chapter Two - Silos

Each chapter of Coop features a photograph taken by my friends John and Julie.  This is the photo at the head of Chapter Two.  These are the wooden silos that stood attached to my father’s barn since the day it was constructed.  They were marvelously done, made of many laminated strips of wood nailed together with thousands of hammer blows.  I remember shoveling silage early mornings before deer hunting and seeing the fuzzy buttons of frost on each nail head.  Dad only used the silos a couple of years.  Mostly they stood empty, and we used to scare ourselves by climbing them and looking down.  They seemed even taller than they were because each one had a five- or six-foot concrete-lined pit dug in it at the base.  Up at the very top there was a platform and railing covered in pigeon poop.  The roof was very low and if we crawled around up there during the day we’d hear the gritch-gritch of disturbed bats, which made us duck even lower and not want to put our fingers anywhere we couldn’t check first.  The gallery of snapshots below illustrates some of those details.

In the spring (much the same time as when the chapter heading photo was taken) I used to nestle with my back to the concrete in the space where the two silos curved together.  It was out of the wind, and I could feel the sun.  I wrote about this nook on page 162 of Coop.  There was another deeper nook on the other side of the silo that used to grow up with brush and my brother John and I would hide in there with our bows and arrows to ambush grackles when they came to steal from the corn crib.  Mom planted asparagus around the barnyard side of the silo decades ago, and it still pops up there every year.

The silos are gone now.  Dad had them taken down last year.  I wished he wouldn’t, and even made some contact with some barn restoration and vintage lumber folks, but in the end it just didn’t work out.  Salvaging an old wooden silo is something everyone always says “you should do”, and when you get right down to it, you find out why it so rarely happens.  Time and finance.  Meanwhile, Dad had done the numbers on how much it cost him to have the silo roof rebuilt (it was beginning to fold) and re-shingled, and with the year’s planting to be done and the roofers coming, opted instead to have my brother over with his track-hoe, and now the silos and all those nails and that concrete are buried deep for some other millennial generation to discover.  I am a sentimentalist and a preservationist, but I am slowly finding ways to appreciate the practicality of old farmer moves like this.  Writing about it in the next book.  In some ways, they are on to something about freedom.

Studying these photos while posting, I have only just now noticed that the black and white silo image is reversed, and that it is also reversed in the book.  Does that qualify as an “OOPS”?  It wouldn’t be the first time.  The cover image on the hardcover version of Truck is also reversed.

The COOP Photos: Chapter 1

COOP photo Chapter One - Woodpile

Each chapter of Coop features a photograph taken by my friends John and Julie.  This is the photo at the head of Chapter One.  That’s our actual firewood, the stuff I was splitting in Chapter One.  The tall plants between the firewood and the oak trees are nettles.  Big old honkers.  The pigs love nettles.  I was worried that this photo wouldn’t make sense in the book since the chapter is set in the dead of winter, but maybe it works to see the firewood drying in the sun for the winter to come.  What you see there is a fraction of what we need to make it through the winter.  I never did catch up that year.  Had to buy some firewood.  A real humiliation.  I did a video essay about the experience for Wisconsin Public Television.  Hoping one day they’ll make it available as a Clodhopper Report on YouTube so we can have a look.

This year I am happy to report that the woodpile is five times this size and growing.

Wisconsin Public Television Appearance

Video here of my recent interview with Wisconsin Public Television.  I was doing my taxes and ran in to the studio, forgot to shave my face or trim my fuzzy head.  One notes also that I am developing some of the same lines in my face as my…grandfather.  Yep.  Anyway, it was fun to talk to Andy via magic wires and then go right back to chicken world.

For expanded speaking dates (they wouldn’t all fit on the screen) have a look here.

Oh, and right at the end there?  It’s spelled www.shimonlindemann.com.

Memory and Myth

*Sigh*  I have been known to go on and on about the critical nature of attention to factual accuracy in nonfiction writing.  So it is with a certain amount of friendly egg on my face that subsequent to this recent post I have had a discussion with the Julie in question and not only does she deny that she was wearing rhinestone glasses and a vintage black slip when we met in prison (vintage grey men’s pants, black turtleneck, men’s shoes, and tortoise-shell glasses, she says), she also reports that I have previously and alternatively described her as wearing a black mini-skirt rather than a black slip.

So.  I shall adjust the myth accordingly.  Having said that, you will understand my confusion should you actually obtain a copy of their new book and review the portrait in which Julie is loading hay in a vintage black…wait, I’m gonna go fact-check that.

Shimon Lindemann Book

John and Julie have a new book.

whatwedohere

I love to tell the story of how I met John Shimon and Julie Lindemann when we were all in prison.  It’s true, although the story loses some of its Johnny Cash punch when I admit we were there working on a story for the New York Times Magazine.  It was a few years back (as more and more things are these days).  I was writing about the concept of “home” as it relates to prisoners living out a life sentence.  John and Julie were shooting the photos.  When I approached the prison lobby and saw them waiting, I cringed.  There was Johnny in his vintage togs and Julie in what can only be described as a black thrift-store slip plus rhinestoned cat-eye glasses.  I was in my standard boots, jeans and t-shirt.  Preserve us, I thought, from the artful hipsters.

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Mullet? Or Not Mullet?

pop485-author-michael-perry-1-compressed

This vintage author photo was taken by my friends John and Julie just prior to the release of Population 485. I maintain that I was not sporting a true mullet, as ALL of my hair was long. However, it was getting thin enough on top that one of my friends called it a “skullet”.  It’s fairly short in this photo.  Usually it was waist-length.

The t-shirt was a gift from my editor/friend Bill. I wrote for Road King trucking magazine for years. The t-shirt was my favorite, so much so that as described in TRUCK: A Love Story I wore it on my first date with my future wife. Seven years later I have more lines and less hair, but my single eyebrow is still heartily intact.